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In May, Rodrigo traveled from Portugal to test the reeds , which Harry carefully crafts by hand in his workshop. Harry can adjust his machines to the saxophone professor's exacting playing requirements with millimeter precision. After numerous tests, they have developed an ideal soprano reed that is suitable for saxophonists of different musical styles.

During this live stream, Harry Hartmann and Roland Graf talk about their joint experiences in the development of the new G-SAX Fiberreed, the second reed of the new Fiberreed Artist Series. Roland Graf, also known as G-SAX, has been playing Fiberreed-reeds for over 20 years and talks about the advantages and quality of this synthetic reeds. They also discuss the development and the different cuts of the reeds. In the video, G-SAX talks about his many years of experience with Fiberreed reeds and his collaboration with Harry Hartmann. He has tried many different mouthpieces and reeds, but he finds that nothing compares to Fiberreed . He mentions that he prefers the older cut of the reed and that Harry Hartmann made it especially for him.

For G-Sax, the reed is the most important element of his sound. He says that everything else, including the mouthpiece and the saxophone, is secondary. He recommends trying different reeds and mouthpieces to find the best combination. Roland talks about how his ideal sound has changed over the years. He appreciates that the new G-SAX-reed He appreciates that the new G-SAX-reed takes these changes into account and offers a warmer, rounder sound that he now prefers.

Roland finds that the G-SAX-reed offers a good combination of a "crisp" and warm sound. He emphasizes that the new design of the reed sounds even a bit warmer than the previous one. He uses the G-SAX-reed for both alto and tenor saxophones and finds that it works well with different mouthpieces.